Atlas artists utilize a variety of toolsets specific to the needs of each individual production. When grading for projected environments our artists have in their arsenal the Autodesk Lustre, Davinici Resolve or Assimilate Scratch projecting in 4K, 2K or HD 4:4:4 for insight into the finest levels of color space and accuracy. In our broadcast bays our artists utilize the same toolsets with additional reach into Davinci Color Correctors, Autodesk Smoke, AVID Symphony Nitris and Apple Color.
Which suite is right for you? Each project undergoes a "Needs Analysis" to help you decide which suite, artist and workflow is right for your project. Our team is available to you to design a roadmap specific to color grading standard 701, 601 and RAW formats such as RED and ARRI as well as all High Definition and Standard Definition tapeless formats. In the ever changing environment pre-planning and workflow management are crucial. We help you design the right workflow so your budget dollars end up on screen and avoid costly data wrangling oversights.
The Atlas Digital fiber network ensure seamless integration between color correction, mastering, visual FX and editorial suites without compromising quality, speed or flexibility. Our managed workflow and shared storage allows you the creative freedom you deserve.
ATLAS DIGITAL 170 S. FLOWER STREET BURBANK, CA 91502, USA Tel: (323) 878-0080
Since 2003, ATLAS DIGITAL has provided full service television post-production support to ABC, NBC, CBS, Fox, Discovery, Lifetime, A&E, MTV, Fremantle Media, Pilgrim Films and Television, Hone, Long Pond Media, Relativity TV, Shed Media, Original Productions and Fortune 500 companies.